Child sex dolls sold online by Alibaba
[Updated] Global media coverage of Collective Shout investigations and WIN
Read moreSex Dolls and Robots: Our Campaigns Manager Caitlin Roper to address Coalition to End Sexual Exploitation Global Summit
Don't miss this free online summit to end sexual exploitation.
Read moreOur campaign against Honey Birdette sexploitation: an interview with Collective Shout
Collective Shout campaigns manager Caitlin Roper spoke with Dave Pellowe this week about our campaign against Honey Birdette and how the sexual exploitation of women by companies like Honey Birdette has real-world consequences for women and girls.
Read more"Fifty Shades of Grey Isn't Empowering, It's Abuse"
It's finally upon us - the long-awaited release of Fifty Shades Darker, the second installment in the Fifty Shades of Grey film trilogy. But rather than swooning, I find myself shuddering.
Image: Mike Marsland via Getty images
The 'romantic' lead is Christian Grey, a deeply disturbed individual who immediately begins stalking the naïve and virginal Ana. Christian is jealous, controlling and manipulative and has a penchant for sexual violence (this man just has 'catch' written all over him). He even attempts to persuade Ana to sign a contract that allows him complete control over her, from making herself available to him for sex on demand down to dictating what and when she can eat.
Ain't love grand?
An analysis of the first book found that the so-called romantic relationship between Christian and Ana was characterised by intimate partner violence. Using the US Centers for Disease Control and Prevention's definitions, researchers found that emotional abuse and sexual violence were pervasive throughout, noting that emotional abuse was present "in nearly every interaction". This was evidenced in stalking, such as tracking Ana's movements via phone and computer technology, limiting Ana's social involvement, intimidation and threats.
Researchers identified various instances of sexual violence, including Christian initiating sexual encounters while angry, ignoring Ana's boundaries and using threats and alcohol to compromise Ana's consent.
"No, please. I can't do this. Not now. I need some time. Please."
"Oh Ana, don't overthink this."
"No," I protest, trying to kick him off. He stops. "If you struggle, I'll tie your feet too. If you make a noise, Anastasia, I will gag you."
Despite this, Fifty Shades has become a global phenomenon, inspiring a range of merchandise including lingerie, wine, sex toys, hotel packages, hardware stores selling Fifty Shades packs including rope and duct tape, and even baby onesies emblazoned with handcuffs and the slogan "I pretend Christian Grey is my daddy."
So what happens when a film series of this magnitude frames domestic abuse and male violence against women as sexy and desirable? What message does it send to women and girls, and also to men and boys? Who benefits from widespread acceptance of the belief women and girls secretly want and enjoy sexual violence?
Of course, not everyone shares these concerns. In my work with campaigning movement Collective Shout: for a world free of sexploitation I've engaged with various fans of the books that argue Fifty Shades is merely a work of fiction and therefore has no influence. We addressed this and other common arguments on our website.
Alarmingly, many people who defended Fifty Shades and argued it had no impact on attitudes towards women or men's violence against women went on to spout various myths and misinformation about domestic violence, illustrating a profound lack of understanding about these issues. While these attitudes and beliefs already exist in the community they are powerfully reinforced in Fifty Shades.
Fifty Shades does not depict an abusive relationship, I've been told, because Christian never beats her (as if domestic abuse is limited to physical assault). Another argument I encountered was that if she didn't like it she would leave, again failing to understand the fear, power relations and complexity at play in domestic violence situations. Others still downplayed or defended Christian Grey's abusive behaviours, claiming his stalking and controlling tendencies were evidence of how much he loved her, excusable because he was a victim himself, or irrelevant because 'he changes in the end'.
In stark contrast to the Cinderella story where (spoiler alert) the abuser can change if his victim sticks around and loves him enough, the reality is that the violence tends to escalate over time. As author Gail Dines points out, "Battered women's shelters and graveyards are full of women who had the misfortune to meet a Christian Grey."
Women's groups around the world have come together calling for a boycott in response. Collective Shout, the London Abused Women's Centre, Culture Reframed and the National Centre on Sexual Exploitation have been joined by dozens of groups in an international campaign, Fifty Dollars Not Fifty Shades.
The campaign is calling for members of the public to boycott the film and donate fifty dollars (or another amount) to domestic violence organisations or women's refuges, because in the real world, that is where women like Ana end up. Supporters are encouraged to use the hash tags #50DollarsNot50Shades and #FiftyShadesIsAbuse to promote awareness of the giving campaign.
It is our hope that people will make a connection between a culture that sexualizes, excuses, tolerates and glorifies men's violence against women and real life violence against women. How many women's lives depend on it?
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Why you should boycott the Fifty Shades Darker movie
A man becomes fixated on a young female university student. He immediately becomes possessive, sulking when she so much as talks to other men, and attempts to isolate her from her friends. He shows up unannounced at her place of work. He traces her mobile phone to find her on a night out drinking with friends. He knows where she lives. He is controlling and emotionally manipulative. He proceeds to have sex with her, despite her refusal and continued protestation. (There's a word for that.) The young woman reports feeling "abused".
On the face of it, this scenario does not appear to be incredibly romantic, although it is one that unfortunately resonates with too many women.
But it's the premise of the widely popular Fifty Shades of Grey book and film trilogy, the story of Anastacia Steele and Christian Grey.
The second instalment in the series, Fifty Shades Darker, is out this week, just in time for Valentines Day – because nothing says romance like intimate partner violence and stalking.
Rather than the grim tale of a sadistic man grooming a naive young woman for sexual violence and abuse, the series has been framed as a sexy romance or porn for women, with women jumping onboard.
Putting aside the fact that if Christian Grey wasn't wealthy and handsome, this scenario could just as likely be an episode of CSI, women are supposed to view Fifty Shades as sexy and empowering, a bit of naughty fun – despite female lead Dakota Johnson describing the sex scenes as "uncomfortable" and "emotionally taxing".
The popularity of Fifty Shades of Grey is a testament to how far we have yet to come in working to end men's violence against women.
An analysis of the first book found that sexual violence and emotional abuse were pervasive, with Anastacia suffering harm as a result.
Collective Shout has the privilege of working with young people in schools around the country, teaching media literacy and examining the depiction of women in media and popular culture. We have seen firsthand how the popularity of Fifty Shades of Grey has left teenage girls confused about sex and relationships, wondering if male violence can be a sign of affection, or if stalking means he really loves you?
Of course, it's not just Fifty Shades that is to blame. Popular culture is littered with messages and imagery that normalise violence against women, like Robin Thicke's Blurred Lines ("I know you want it"), advertising from brands such as Calvin Klein simulating gang rape or upskirting, and rape and murder of women in prostitution in theGrand Theft Auto video game series.
When women are continually depicted as passive victims or objects of sexual recreation in media, advertising and popular culture, it impacts the way we perceive them, our attitudes and beliefs, and serves to both normalise violence and inequality and downplay the harms.
In response, dozens of groups have joined together to call for the public to boycott the film and to donate the money they would have spent on tickets to a women's refuge or domestic violence service.
These services are where women like Anastacia end up. They do such important work and are often underfunded and in need of financial assistance.
Men's violence against women is at epidemic levels in Australia, with at least one woman murdered each week. It's not enough to merely condemn such violence: we must address it at its roots, recognise and challenge the cultural drivers of this violence.
It's time to connect the dots between a culture that normalises and even glorifies violence against women, and real life violence against women.
Caitlin Roper is campaigns manager for Collective Shout: for a world free of sexploitation.
Access full article here.
Being pimped out online by misogynist harassers will not stop me from speaking out
Collective Shout activist Caitlin Roper featured in The Guardian.
Read moreCollective Shout activists talk rape threats on ABC's Lateline
Last week, our WA State Coordinator Caitlin Roper wrote about some of her experiences receiving violent rape threats for running Collective Shout campaigns. Her piece was published by The Guardian news website and sparked discussions about the ongoing issue of online threats by men to female activists and the weaknesses in law enforcement and social media systems to effectively deal with these crimes.
Last night, Caitlin and Talitha Stone were interviewed on ABC's Lateline, sharing their stories of activism and the threats that typically followed.
Watch the video here: http://www.abc.net.au/lateline/content/2014/s4121651.htm
Talitha recalled being targeted by Tyler the Creator's 1.7 million twitter followers with a barrage of threats and vitriol and the police's failure to adequately address the situation. Caitlin shared how her twitter profile had been copied and used to solicit sex to men on the internet in her name, and how the police response was to suggest she use a 'more plain' photo on her twitter profile.
Read more"It's not OK" - Caitlin Roper talks Chris Brown and violence against women
*Trigger Warning - violence against women*
Collective Shout's WA State coordinator was asked for comment about Chris Brown and Rihanna for OK magazine.
Despite R&B singer Chris Brown having brutally beaten pop star Rihanna in 2009, the pair appear to have resumed their relationship. Caitlin tells OK magazine that the emphasis needs to be on Chris Brown. He and other perpetrators of violent crime should be held accountable for their actions.