'Women don't need shoutouts from serial sexist mags like Maxim"Read more
Andrew Tate: A-Grade Poison. What parents and teachers need to know about his indoctrination of boys
Andrew Tate is exactly who we do not want the world’s teenagers listening to. He is lowering girls’ self-esteem and teaching boys to be brutal towards women.Read more
Warning - some explicit content. NSFW
Claims that the song and music video "Wet Ass Pussy" (WAP) by Cardi B and Megan Thee Stallion are "feminist" and "empowering" are false. Here we answer some of the most common claims defending the song.Read more
*Content warning: themes and images are distressingRead more
"Holocaust #2 but instead of jews we target women"Read more
Sex shop brand's female face a front for male profiteers
Sex shop retailer Honey Birdette spouts a great deal about female 'empowerment'. Despite the talk, after 8 years, 42 breaches of the advertising Code of Ethics and numerous, exploitative PR stunts, the company is renowned for harming women - in its own ranks and in the communities it operates in.Read more
Women working in food services are prone to sexual harassment. The 2018 National Survey on Workplace Sexual Harassment report found that people employed in accommodation and food services - 60 per cent of whom were women - were "overrepresented as victims of workplace sexual harassment”. A 2019 survey of Shop, Distributive and Allied Employees’ Association members - a group made up primarily of employees from the retail, fast-food and warehouse sectors - showed that nearly half of women had experienced workplace sexual harassment.
Last week KFC gushed about its partnership with icare for a staff-education program aimed at equipping staff with skills to de-escalate customer abuse and reducing its prevalence. Background data confirms that for workers in the fast-food sector, customer abuse is the norm, and is experienced more widely by female workers than male workers.
We know that abuse is borne out of disrespect, and so it’s reasonable to view customer abuse - abuse that tends to affect women more prevalently than men - as another symptom of societal-level disrespect for women. When other research confirms that gender stereotypes and sexually objectifying representations of women in media and advertising diminish our view of and value for women, we’re hard-pressed to understand why - at the same time it invests in employee empowerment - KFC would use casual sexism to flog chicken.
icare’s pilot program involving KFC reportedly resulted in a 48% reduction in cases of customer abuse. But in the wake of KFC’s cataclysmic advertising fail, do young, female employees in KFC outlets have reason to feel empowered at work? KFC has sent the message to men and boys everywhere that ogling a woman’s breasts - an act of sexual harassment - is just a natural, normal thing to do. The message to women and girls? To borrow a pun from another KFC ad campaign, ‘Bucket. Why not?’ - just go with it. This is the antithesis of the message of respect-based, anti-harassment training programs which instruct victims and onlookers to speak out against harassment.
It is always good to provide workers with skills to manage the spectrum of customer misconduct, but young women should not be expected to absorb the consequences of a nationwide ad campaign where sexual objectification and sexual harassment of young women is the punchline.
How can young women feel respected by their employer when KFC is contributing to the very problems they are trying to solve with a "respect and resilience" program? Will they be safe at work when men like this walk through the door?
If KFC has - as it claims - genuine interest in the well-being of young people and empowering its staff, it will retract the ad and commit to marketing its products without endorsing sexual harassment and perpetuating antiquated sexist narratives that contribute to a culture of disrespect for women.
Not wicked, just misogyny on four wheelsRead more
Content warning: This piece contains references to rape and violence against women that may be distressing.
This week, Noisey, Vice’s music channel, published a piece in defence of rap artist Tyler the Creator. The article, entitled ‘#FreeTylerTheCreator And Reject Theresa May’s Dumb Logic’ painted Tyler as a victim of racism and ignorance, and presented misinformation about campaigns against him.
The piece opens by describing a “moving” performance by TTC, summed up with the following statement:
"This – a peaceful lover of nature – is an artist who remains banned from entering the UK under any circumstances.”
It's hard to imagine such a “peaceful lover of nature” could be behind lyrics like “rape a pregnant bitch and tell my friends I had a threesome”, or a wealth of others glorifying rape and extreme violence against women, murder, mutilating women’s genitals, stuffing them into car boots, trapping them in his basement, raping their corpses and burying their bodies.
The author suggests there is no basis for TTC to be refused access into any country, and that bans were motivated by racism:
"It was a very blatant case of making an example out of someone for no reason other than the fact that he’s black and angry and all the other countries under the Queen’s rule were doing it.”
The author's lack of research doesn’t end there, with the article incorrectly stating that after being banned from entering New Zealand in 2014, TTC became the focus of Collective Shout.
Collective Shout first campaigned against Tyler the Creator in June of 2013, not because he is “black and angry”, but due to his songs advocating rape and violence against women, often defended by his fans as ‘art’. In the course of our campaign, young activist Talitha Stone wrote a tweet accusing Tyler the Creator of promoting misogyny. TTC responded by sharing her tweet with his millions of followers, who predictably jumped at the opportunity to prove their loyalty by threatening to rape and murder Talitha, with police involvement required after one fan tweeted her home address.
Just days later, Tyler launched into an abusive tirade against Talitha who was in the crowd at his Sydney concert, calling her a bitch, whore and c*** as concertgoers cheered. He then proceeded to dedicate the song ‘Bitch Suck Dick’ to her, which contains the lyrics “You dead bitch, I'm hot as f*ck…Punch a bitch in her mouth just for talkin' shit”.
Is this still ‘art’?