Reported in The AgeRead more
But Instagram says they don't violate "community guidelines"Read more
Last week was Triple J’s ‘Porn Week’, with a special focus on stories about pornography and “discussing all things porn”, promising to examine “every facet of pornography”.
Perhaps a thorough examination of every facet would include a discussion about sexually violent content in pornography, including frequent acts of aggression, cruelty and humiliation of women, the normalisation of a male dominance/female subordination paradigm, or a critical look at the sexist and racist tropes that are commonplace in porn.
Maybe it would include accounts of mistreatment from female pornography performers, citing abuse and exploitation within the industry and being raped during production or high rates of suicide among performers.
It might also include a conversation about the experiences of women and girls growing up in a ‘porn culture’, with growing numbers reporting sexual coercion in their intimate relationships with men and boys, and pressure to submit to unwanted, painful or degrading sex acts.
Maybe a segment would be devoted to the potentially devastating impacts of children’s early exposure to hardcore pornography and how it shapes their attitudes and sexual practices. The quadrupling of child-on-child sexual assaults attributed to pornography, reports of girls as young as twelve requiring medical treatment for sex-related injuries, or more recently, the sixteen-year-old girl forced to get a colostomy bag after rough group sex
But there was no meaningful discussion of any of this.
Rather than engaging with legitimate criticisms of the pornography industry, or a growing body of research documenting how pornography harms women, children and men, Triple J instead promoted pornography use with articles like “How porn can be a positive force in your relationship” and “Porn, kinks and kink-shaming: You're not weird for watching the porn you watch”, just weeks after publishing a piece entitled “So you want to book a sex worker”, with instructions and advice on the ins and outs of purchasing sex.
What could have been a frank and much-needed examination of pornography felt more like a week of free PR for the sex industry.
Viewing rape porn "nothing to be ashamed of"
The article “Porn, kinks and kink-shaming” reassures readers that it is both normal and acceptable to masturbate to rape and incest porn- that these are “kinks” and “nothing to be ashamed of”. Masturbating to the physical abuse of women is framed as a matter of individual preference, and kink advocates quoted in the article warn against “kink-shaming” or “demonising” consumption of this material. Porn is, we are told, “only a fantasy”.
But it’s not just a fantasy. Fantasy occurs in the mind. When acts of sexual violence and cruelty are carried out on the bodies of living women, this ceases to be a fantasy and becomes reality. A porn scene featuring a woman being choked cannot be produced without an actual woman being choked on camera. That’s not fantasy, that’s a man’s actual hands around a woman’s actual neck, actually choking her.
It’s also not merely fantasy when it happens to women outside of pornography. A recent US study found a quarter of women surveyed have felt scared during sex. A number of these said their partner had tried to choke them without warning. Researchers in London studying heterosexual anal sex among teenagers found a climate of coercion, and that young people rarely spoke about anal sex “in terms of mutual exploration of sexual pleasure”.
Eurydice Dixon’s killer Jaymes Todd was this week sentenced to life in prison for her rape and murder. The court heard that Todd watched violent pornography before and after raping and killing the young comedian, and that Todd was addicted to a fantasy of coercive rape, including fantasies of death, and searched for snuff films online, in which people are killed. Was Jaymes Todd’s preference for pornography depicting rape and extreme violence against women, even murder, a mere “kink”? Was it a coincidence that a man who was obsessed with porn depicting the sadistic rape and murder of women carried out these same acts against a real woman?
Triple J promotes "ethical" porn
Another segment was dedicated to ‘ethical’ porn, with a visit to a Sydney porn set. So-called ethical or feminist porn is often positioned as a positive alternative to run of the mill misogynist and male-dominated pornography. But the bar for what constitutes ‘ethical’ porn is very low, and typically only refers to conditions of production, such as fair compensation and labour conditions, representation of diverse body types and sexualities, consent and authenticity.
The actual content in ‘ethical’ or ‘feminist’ porn may be indistinguishable from violent and abusive mainstream porn. Rather than showcasing more egalitarian or non-violent content, degradation and acts of physical violence against women such as slapping, gagging and strangulation are still found in ‘ethical’ porn. Does this sound all that ethical? And if ethical porn truly exists, is anyone interested in watching it?
Dr Meagan Tyler, Senior Lecturer at RMIT, argues that the notion of ethical porn is a cynical attempt to make porn companies look like good corporate citizens.
“It’s a marketing ploy and an exercise in obfuscation,” she says.
"It's for a small segment of consumers who would like to think that their pornography consumption is unproblematic and they would like to think that what they are doing is totally different from what others are doing when, in reality, it all feeds the same commercial sex industry."
“It speaks volumes about how much pornography has colonised our understandings of sex that we can only imagine the possibility of a (potentially) slightly less harmful pornography, not a happy life without pornography at all.”
Were any researchers who have analysed the harmful impacts of pornography, especially in young people in their sexual development, consulted? Or was it only those in favour of porn consumption, including those with vested interests in the industry? ABC is a publicly funded broadcaster, and Dr Tyler says we need to ask questions about who commissioned this discussion, and under what circumstances.
“Triple J ‘Porn Week’ [is a] week long advertorial for why porn is great - we can’t ignore the intersections of men’s violence against women and intimate violation of women and the multi-billion dollar global pornography industry.”
We need to have honest conversations about the realities of pornography and our engagement with it. Porn Week was a platform for pro-pornography indoctrination, and many more women and girls will suffer as a result.
Not sexually suggestive, but is sexually suggestive. Just two women posing in their underwear, but also two women in sexy lingerie expressing their sexuality.Read more
The app's creator pulled the software siting ethical concernsRead more
*Content warning* - Call to action!
Amazon have a long history of selling exploitative products that objectify women and sexualise children.
We've been challenging them to do better since they stocked "The Paedophile's Guide to Love and Pleasure: A child-lovers code of conduct" back in 2010. They initially argued freedom of speech but eventually pulled the product from their shelves.
Sadly the list of harmful products stocked by Amazon has only gotten longer since then.
One of our team members recently came across this product on their site.
She took to Twitter to challenge them:
Join with us in pressuring Amazon to remove this harmful product and those like it.
Target their senior executives here:
*Trigger Warning - rape, incest, sexual assault. Content may be distressing and NSFW*
It has been widely reported that global retailers Amazon, Barnes and Noble and WH Smith have been selling rape, incest and abuse themed e-books.
Israel is the tenth country to institute the abolitionist model of prostitution legislation to combat commercial sexual exploitation.
The “Nordic Model”, which originated in Sweden in 1999, recognises prostitution as a form of violence against vulnerable women that is driven by men’s demand. The Nordic approach therefore criminalises the purchase of sex, decriminalises the sale of sex, and offers exit pathways for individuals who wish to leave the industry. The progressive legislation has been adopted by Norway, Ireland, Northern Ireland, Canada and France, and is under consideration in Luxembourg and Italy.
According to the Welfare Ministry, at present there are 14,000 people involved in prostitution in Israel (including an estimated 3000 minors), with 76% who would leave the industry if they could. The average lifespan of a prostituted person in Israel is 46 years.
What will change under the new law?
The law will go into effect after 18 months, allowing time for the setup of rehabilitation centres for prostituted individuals, police training, and advertising and education about the new law.
From the Jerusalem Post:
When the law goes into effect, a first-time offender will be fined NIS 2,000 for hiring or attempting to hire a prostitute and NIS 4,000 for further offences. It also allows for pressing charges and fining the offender up to NIS 75,300. It offers the Justice Ministry the option of instituting other punishments, such as “John Schools,” meant to educate those who paid for sex.
The law does not only make frequenting prostitutes a criminal offence, it seeks to help people leave sex work and find other careers. It budgets NIS 90 million over the next three years for the rehabilitation of prostitutes.Considerable progress has been made under the Nordic Model.
The effectiveness of the abolitionist model
According to research out of the Nordic Gender Institute, the number of men buying sex has decreased from 13.6% in 1996 to 7.9% in 2008. Street prostitution in Sweden has halved while in neighbouring countries such as Norway and Denmark it is estimated to be three times higher. Police have intercepted phone correspondence between pimps and traffickers who now regard Sweden as an unattractive market and suggest Denmark, Germany or Holland (where prostitution is legal) as more profitable alternatives. Reportedly, there has been a cultural shift in Sweden where it is no longer considered acceptable to purchase another person.
Israel’s passing of the Nordic model is a significant victory for gender equality, and we hope that other countries follow suit. We cannot oppose trafficking of women and children around the globe and simultaneously support men’s “right” to sexual access to the bodies of women and girls in prostitution. Sex trafficking would cease to exist if men stopped buying women. Gender equality cannot exist while women remain commodities to be bought, sold and used by men.
10 Myths about Prostitution, Trafficking and the Nordic Model Dr Meagan Tyler
Honey Birdette is a serial sexploitation offender. The sex shop, located in shopping centres around the country, has attracted hundreds of complaints for its sexist advertising. Ad Standards has investigated complaints sixty-six advertisements, upholding thirty-seven, but Honey Birdette continues to sexually objectify women.
In 2017, father and Collective Shout supporter Kenneth Thor launched a petition calling on Westfield shopping centres to stop Honey Birdette’s porn-themed advertising, but to date Westfield has failed to take any action. Enough is enough- Westfield must act on Honey Birdette sexual exploitation of women.
In this blog, we’ve compiled responses to some of the more common defences of Honey Birdette sexism.
1. "You see more flesh at the beach"
In response to Kenneth Thor's petition to Westfield, Honey Birdette founder Eloise Monaghan claimed, “You see more flesh at Bondi at 10 am.” Monaghan has clearly missed the point.
The presence of female flesh alone does not constitute sexual objectification. The inclusion of attractive women in an ad campaign does not constitute sexual objectification.
Sexual objectification occurs when a person, often a woman, is treated as a body, or series of body parts for others’ use and consumption, when her physical attributes and sexual capabilities are regarded as representative of her whole self or seen as determining her worth.
Commenting on Honey Birdette advertising, Australian researcher Dr. Meagan Tyler said:
"These are not just images of women's breasts, they are sexually objectified and commodified images of women's breasts in public space. These representations of women, that reduce us to consumable body parts, reduce our recognition of women's full humanity and make it more difficult for women to participate in public life."
As Dr Linda Papadopolous stated in Sexualisation of Young People Review:
“Although sexual objectification is but one form of gender oppression, it is one that factors into- and perhaps enables- a host of other oppressions women face, ranging from employment discrimination and sexual violence to the trivialisation of women’s work and accomplishments.”
Honey Birdette routinely promotes the sexual objectification of women in their floor to ceiling porn-themed advertising, featuring hyper-sexualised depictions of women’s bodies or even just parts of their bodies. The women in Honey Birdette advertising are portrayed as though they are for men’s pleasure, defined only by their sexual appeal and availability. The message is that women exist for men’s enjoyment and entertainment.
Objection to the sexual objectification of women is not an objection to women, nor is it an objection to women’s bodies. It is an opposition to sexism, to corporates who profit from the sexual exploitation of women and have the audacity to claim they are empowering women in the process.
2. "It's just women expressing their sexuality"
If Honey Birdette advertising is an expression of female sexuality, “for women, by women”, then why is it indistinguishable from the content in men’s softcore porn magazines?
Honey Birdette promotes a very narrow view of female sexuality, one in which youthful, slender, and typically white-skinned women are depicted as passive objects of male desire. Female sexuality as represented by Honey Birdette entails women being sexually appealing to men, exposing their bodies and mimicking porn-inspired poses and acts. How does this differ from the sexually objectifying depictions of women for a male audience? Essentially, it doesn’t.
In her TED talk about growing up in a ‘porn culture’, Professor Gail Dines encouraged the audience to critically analyse porn-inspired depictions of women in media and advertising. Pointing to a hyper-sexualised image of a female model, she said:
“Look at her clothes, look at her face, look at her posture, and look at her gaze...who is she speaking to? Because the notion is that every image has a reader in mind. Before you answer, do you think she’s speaking to her mother, saying, ‘Let’s go for a cup of coffee after the photo shoot?’ So who is she talking to? Who is she speaking to? Men. And what is she saying? ‘F*ck me’.”
Who is the ‘reader’ or the intended audience in Honey Birdette ads? And what is being communicated to them?
Note the differing treatment of men and women in Honey Birdette ad campaigns. Lingerie clad women are posed alongside fully clothed men. What does this unequal treatment represent? Naomi Wolf, author of The Beauty Myth said, “Cross-culturally, unequal nakedness almost always expresses power relations.”
It is in Honey Birdette’s interest to reframe their commodification of female bodies and sexuality as ‘female sexuality’ or ‘empowerment’. “For women, by women” may be a great marketing hook, but the promotion of sexist stereotypes and sexually objectifying imagery of women does not become an ‘expression of female sexuality’ simply because a company with vested financial interests says so.
3. "You're just easily offended"
This is not an issue of offence or personal taste. Our opposition to Honey Birdette’s constant sexually exploitative depictions of women is not on the basis of offence, but documented evidence of harm.
Representations of women that reduce women to mere sexual objects, as sexually available and existing for men’s use are problematic not because some people might be offended but because they cause harm, primarily to women and children.
Researcher Rebecca Whisnant distinguishes between offence and harm. Offence is “something that happens in one’s head”, whereas harm is “an objective condition, not a way of feeling; to be harmed is to have one’s interests set back, to be made worse off, to have one’s circumstances made worse than they were...Whether a person is harmed does not depend on how she feels.”
The harms of sexually objectifying portrayals of women are well established. A review of twenty years of research, from 109 publications containing 135 studies found:
“consistent evidence that both laboratory exposure and regular, everyday exposure to this content are directly associated with a range of consequences, including higher levels of body dissatisfaction, greater self-objectification, greater support of sexist beliefs and of adversarial sexual beliefs, and greater tolerance of sexual violence toward women. Moreover, experimental exposure to this content leads both women and men to have a diminished view of women’s competence, morality, and humanity.”
Honey Birdette’s attempts to paint those who object to their routine sexual exploitation of women as easily offended, prudish or even religious fundamentalists is a deliberate tactic to silence those who might threaten their profits, and to avoid engaging in meaningful discussions about the harms to women and children from the very sexual objectification they promote.
4. "It has no impact on kids"
Some people believe that children are unaffected by floor to ceiling soft-porn advertising in public spaces, such as Honey Birdette shopfront advertising. This view is not supported by the international research into the sexualisation of children and its corresponding harms.
Sexualisation of children refers to the imposition of adult models of sexual behaviour and sexuality on to children and adolescents at developmentally inappropriate stages and in opposition to the healthy development of sexuality. It encompasses sexual objectification and representation of children in adult sexual ways and in ways that imply the child’s value is dependent on conforming to a particular appearance, sexual display or behaviours. Children may also experience secondary sexualisation through exposure to sexualised advertising material and products aimed at adult consumers- like Honey Birdette shopping centre advertising.
Pic credit MTR/Caters Media
The harms of sexualisation are extensive. In its 2007 Task Force into the sexualisation of girls the American Psychological Association concluded there was “ample evidence to show that sexualisation has negative effects in a variety of domains including: cognitive functioning, physical and mental health, sexuality and beliefs”.
Harms from exposure to sexualised content
There is a “growing body of evidence” of the harms to children from exposure to adult sexual content. The Royal Australian and New Zealand College of Psychiatrists noted that premature exposure to adult sexual images and values has a negative impact on the psychological development of children, in terms of self-esteem, body image and understanding of sexuality and relationships.
The objectification of women in media and advertising puts pressure on girls and women to conform to stereotypical sexualised beauty ideals. According to RANZCP, exposure to sexualising messages contributes to girls defining their self-worth in terms of sexual attractiveness, and the “excessive focus on appearance and narrow definition of attractiveness” contributes to the development of abnormal eating patterns and lack of positive body image.
Links between sexist advertising and violence against women
The NSW Government acknowledged the links between media and advertising reinforcing sexist and stereotypical gender roles and men’s violence against women in their 2016 report on sexualisation:
“The exposure to media representation of genders...can provide templates for what it means to be a boy/man (equated with sexual conquest and entitlement to access women’s bodies) and girl/woman (sexually available).”
“The NSW Government further maintains, in line with the National Plan to Reduce Violence Against Women and their Children 2010-2022, that such stereotyping contributes to attitudes that support or justify violence against women and girls.”
Honey Birdette targets kids
So far, complaints have been made against 66 Honey Birdette advertisements, with rulings against the retailer on 37 occasions. Children around the country are exposed to Honey Birdette advertising every day. Honey Birdette is well aware of parents' concerns for their children, as outlined in frequent complaints, but it is clear the wellbeing of children is not a priority for them.
In addition to their standard sexually objectifying advertising material, Honey Birdette have gone out of their way to attract the attention of children in their advertising in public spaces. Several Christmas ad campaigns have included imagery of beloved children’s figure Santa alongside lingerie clad women, in various BDSM themed scenarios. One advertisement even addressed children directly, with the slogan ‘Sorry Kids! We gave Santa the night off.’ Honey Birdette founder Eloise Monaghan dismissed complaints about the “fun” Santa campaign, commenting, “You can’t please everyone.”
The retailer continued to put profits before the rights of children, refusing to take down the ad even after Ad Standards had found it was in breach. “Nobody tells Honey B’s when to take down her signage”, the brand posted on their Facebook page.
The harms of sexualisation of children are well established and significant. We know that sexualisation presents a threat to the health and wellbeing of children, yet Honey Birdette arrogantly and repeatedly breaches the AANA code of ethics, showing a complete disregard for the most vulnerable members of our society.Read more
In response to the global outcry over the children’s film Show Dogs, the Australian Classifications Board issued a media release. This was after the production company had promised to withdraw the film and re-cut it to remove the offending scenes, however, only minimal content was removed, with scenes featuring the dog Max having his genitals touched against his will remaining in the movie. Classifications Board referred to the scenes in question, involving the dog Max having his private parts touched against his will, as scenes that ‘may cause offence to some viewers’:
The Board is aware of social media commentary over the past couple of days that a scene or two in Show Dogs, may cause offence to some viewers, who are of the opinion that the touching of a dog character’s genitals, and the accompanying dialogue, may promote acceptance of grooming of children for sexual exploitation.
Reducing the issue to mere ‘offence’ is problematic. The concerns from parents, survivors, child advocates and organisations dedicated to fighting against child sexual abuse are not that individuals will be ‘offended’. They are about the disturbing and dangerous messages to children about sexual touching when the main character, Max, must put aside his discomfort and endure having his private parts touched, after which he is rewarded.
The Classifications Board assert that context is crucial, and on this basis suggest that scenes of the dog having his private parts touched against his will were assessed as thematic content. They went on, saying, “There is no suggestion in the film that the dog is a metaphor for a child.”
Long-time activist and Collective Shout supporter Melinda Liszewski addressed these sentiments below:
“The concern about the movie reflects a community putting thought into the media created and designed to be consumed by our children.
“This practice of inspecting genitals is common in dog shows, but there are a lot of other things about dog shows that I’m sure aren’t in the movie. The writer made deliberate choices about what to include and what to leave out. The scenes in question were included to get a cheap laugh, but this is where lack of consideration for their target audience comes in. Consulting with anyone specialising in child development, child psychologists would go a long way. They can spot issues others wouldn’t immediately recognise. Really important issues.
“So we can't say this is a realistic true to life depiction of dog shows, or dogs. They're anthropomorphised dogs. We have assigned human personalities, reactions, feelings, goals and fears. These are talking dogs. These are characters that exist for the children to identify with, to go on a journey with, to overcome obstacles with through this story.
“These dogs are not reacting how a dog would react, they are reacting how a human would react in the same circumstance. This is portrayed for an audience of young children. The statistics say one in five children will be sexually abused in their life so we know that in the audience of children viewing that film, some of those children are abused children. The idea of 'going to a happy place' while enduring unwanted touching is called dissociation. We are not doing children any favours by normalising the idea that people - again, the dogs are humanised - enduring unwanted touching is normal.
“My conclusion is this – it’s not a good thing if some children don't give this a second thought. This shouldn't be normalised and used to get a cheap laugh.”
Response from cinemas
We are pleased to report that several Australian cinemas have responded to community concern over the messages in this film. The film is not being promoted by Cineplex, Village Cinemas, Grand Cinemas, Dendy Cinemas or ACE Cinemas. Majestic Cinemas have confirmed they will not be screening the film, and Deny have told us that at this stage they have no plans to release the film.
The following cinemas have failed to respond to community concerns over the movie, still promoting the film despite being informed as to the issues: Hoyts, Event Cinemas, Palace Cinemas and Wallis Cinemas.
Both Wallis Cinemas and Hoyts have referenced the re-cut, yet neither of them will clarify whether the film is to be re-cut for a second time to remove all scenes where the dog submits to unwanted genital touching, or if they are referring to the initial and unsatisfactory cuts which still included scenes of unwanted genital touching.
Contact your local cinema here, and let us know how you go!
*UPDATE: CNN has reported the film will undergo edits to remove the objectionable content!*
Child advocates have accused new kids film Show Dogs of sending “a troubling message that grooms children for sexual abuse”. The film was released in the US last week, and is not scheduled to be released in Australia until July.
The film follows the story of a police dog going undercover at a dog show. There are reportedly several scenes in which the dog, Max, has to have his genitals inspected. When he is uncomfortable and wants to stop he is told to go to a ‘zen place’. When he does this, he can advance to the final round of the dog show.
National Center on Sexual Exploitation has called on distribution company Global Road Entertainment to halt the distribution of Show Dogs in movie theaters and recut the movie:
“The dog is rewarded with advancing to the final round of the dog show after passing this barrier. Disturbingly, these are similar tactics child abusers use when grooming children — telling them to pretend they are somewhere else, and that they will get a reward for withstanding their discomfort.
“Children’s movies must be held to a higher standard, and must teach children bodily autonomy, the ability to say ‘no’ and safety, not confusing messages endorsing unwanted genital touching.”
Reviewers, too, have expressed their discomfort over the scenes in question.
Slate writer Ruth Graham called it “unsettling on several levels”.
“First, this is a children’s movie in which the protagonist’s success depends on withstanding a stranger touching his genitals even though it makes him uncomfortable,” she wrote.
“The movie’s solution to Max’s discomfort with the inspection is not to empower him to escape it somehow; it’s to have him learn to checkout mentally while he endures it, and to make no outward sign of his humiliation. It is not paranoid to say that this is a bad message for kids.”
Writer Jenny Rapson echoed those sentiments in a blog post on For Every Mom: “Max’s success is riding on whether or not he lets both his partner (for practice) and a stranger (the competition judge) touch his private parts. IN A KIDS MOVIE. WHAT??? Newsflash, folks: THIS IS CALLED GROOMING and it’s what sexual predators do to kids!”
Writer Terina Maldonado wrote on family film blog Macaroni Kid that “during the movie, I kept thinking, “This is wrong, it doesn’t need to be in a kids movie. Everything else in the movie is good fun except for this.”
In response to the outcry, Global Road Entertainment, co-producers of the film released a statement to CNN:
“The dog show judging in this film is depicted completely accurately as done at shows around the world; and was performed by professional and highly-respected dog show judges,” the statement said in part. “Global Road Entertainment and the filmmakers are saddened and apologise to any parent who feels the scene sends a message other than a comedic moment in the film, with no hidden or ulterior meaning, but respect their right to react to any piece of content.”
One of the writers of the film has spoken out against the scenes in question, claiming that they were written into the script by of the “13 other writers” who worked on the movie.
“[I] didn’t get to see the film until it was in its final stage of completion, and had zero say in creative choices the second I signed away the rights to my work.”
“I absolutely condemn any suggestion or act of non-consensual touching in any form, as well as disassociation as a coping mechanism for abuse of any kind. I understand and empathise with the parents’ and groups’ concerns regarding the message the movie may impart,” he said.
Children’s charity Bravehearts is also calling for a ban on the Australian Classification Board to ban the film:
Bravehearts is responding to reports this children’s film contains multiple scenes where a dog character must have its private parts inspected and manhandled. When the dog feels uncomfortable and wants it to stop is then told to just go to a ‘zen place’ and is later rewarded for his consent by being advanced to the final round of the dog show. This message is not only wrong, but it promotes acceptance of grooming and goes against the very basic principles of child protection.
Cineplex Theatres have already pulled the film:
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